Laser Cut Wood Structures:
As the operations end of the layout is finally up to snuff, the push is on to equip the layout with suitable structures. The major structures are relatively large, snap together, pre-colored plastic kits, more or less modified. They are the Atlas factory and the Bachmann/Plasticville coaling tower and they are already in place.
I had hoped to finish the layout in similar O-scale plastic structures, either molded in appropriate colors or pre-built and painted. However, with the limited layout space, only one was found suitable, the small AM Models Jennysville Shanty kit, which will be repurposed into the factory's yard office, so the switch was made to using laser cut wood kits, which come in smaller sizes.
These kits tend to be rather plain, with a minimal amount of details in their detail areas. Mostly they are just three blank walls and a fourth wall with a door/window, which in O-scale, takes up almost the entire side. Four kits by three manufacturers were chosen for the layout as they remind me of prototype scenes from my past. However, there is a problem that needs to be addressed.
It is a bugbear that is the bane of my working with wood models and that is - they have to be painted. While my innate skills allow me to do extraordinary work with electro-mechanical things, give me a model to paint and my brain turns to mush and my fingers become thumbs. Nevertheless, over the decades, I have become somewhat adept at using spray paint rattle-cans from the hardware store.
As some of you may be aware, the spray paint industry is in turmoil, with many of the fine old paints gone from the marketplace. They have been replaced by reformulated combinations of paint and primer and many of them, sad to say, are not worth a darn. Full cans clog up after just seconds of use and then have to be discarded. When paint does spew forth (and I do mean spew), it often does not dry, and the traditional "selecting of the colors" by observing the can caps has become a crap shoot. The new caps used by Krylon are yet another nightmare. I have to use a pair of wide open vise grips to physically remove them from the can.
The first of the wood, laser cut kits to be repurposed for the layout was the previously covered AMB Gandy Dancer's Shanty. that became a stable for the factory horses (posted 11/15/18). Initially, it was painted with a can of flat brown primer that was on hand, but when it was placed on the layout the structure displayed all of the charm and visual impact of a chunk of brick, so I was off on a trip to the hardware store. With the aforesaid paint situation, there were actually a number of trips to a number of stores, hardware, hobby and arts and crafts, over an extended period of time.
Regrettably, in the present rattle-can marketplace, in anything other than a gloss finish, it seems the quality of the paint is inversely proportional to the combined number of words in the name of the paint and the name of the color. One exception appears to be the Krylon ColorMaxx Paint+Primer in the Matte Summer Wheat color, available at Lowes. It is a reformulated flat yellow paint that covers well and actually seems to want to come out of the can, but it dries many shades lighter than the goldish color on the cap. Nevertheless, partly due to the relentless, age related ticking of my biological clock, but mostly due to a lack of choice, it was selected as the basic wall color for the layout structures.
Regular grey or brown primer, either Krylon or Rust-oleum, is used to apply an undercoat. After the basic wall color has been applied, any external door, window or wall trim that needs painting will be done by hand in a suitable shade of brown, but with my ten thumbed paws, the end results may look like a form of camouflage. In deference to dealing with my inabilities, I plan to leave each roof loose, so it can be removed from the structure and the side walls resprayed if things go bad.
The photos show the repurposed stable in its present colors (it still needs a rain gutter on the rear edge of the roof, but I am working on it). The door, window and wall trim came pre-colored in the kit, saving me a lot of angst. The unerring, sixteen megapixel eye of the new camera does show up a lot of flaws, but trying to touch them up would only make things worse. As I am, currently, a recovering perfectionist; when the trains are running and the layout is being viewed from the normal operating position, the exposed flaws do not matter.



As the operations end of the layout is finally up to snuff, the push is on to equip the layout with suitable structures. The major structures are relatively large, snap together, pre-colored plastic kits, more or less modified. They are the Atlas factory and the Bachmann/Plasticville coaling tower and they are already in place.
I had hoped to finish the layout in similar O-scale plastic structures, either molded in appropriate colors or pre-built and painted. However, with the limited layout space, only one was found suitable, the small AM Models Jennysville Shanty kit, which will be repurposed into the factory's yard office, so the switch was made to using laser cut wood kits, which come in smaller sizes.
These kits tend to be rather plain, with a minimal amount of details in their detail areas. Mostly they are just three blank walls and a fourth wall with a door/window, which in O-scale, takes up almost the entire side. Four kits by three manufacturers were chosen for the layout as they remind me of prototype scenes from my past. However, there is a problem that needs to be addressed.
It is a bugbear that is the bane of my working with wood models and that is - they have to be painted. While my innate skills allow me to do extraordinary work with electro-mechanical things, give me a model to paint and my brain turns to mush and my fingers become thumbs. Nevertheless, over the decades, I have become somewhat adept at using spray paint rattle-cans from the hardware store.
As some of you may be aware, the spray paint industry is in turmoil, with many of the fine old paints gone from the marketplace. They have been replaced by reformulated combinations of paint and primer and many of them, sad to say, are not worth a darn. Full cans clog up after just seconds of use and then have to be discarded. When paint does spew forth (and I do mean spew), it often does not dry, and the traditional "selecting of the colors" by observing the can caps has become a crap shoot. The new caps used by Krylon are yet another nightmare. I have to use a pair of wide open vise grips to physically remove them from the can.
The first of the wood, laser cut kits to be repurposed for the layout was the previously covered AMB Gandy Dancer's Shanty. that became a stable for the factory horses (posted 11/15/18). Initially, it was painted with a can of flat brown primer that was on hand, but when it was placed on the layout the structure displayed all of the charm and visual impact of a chunk of brick, so I was off on a trip to the hardware store. With the aforesaid paint situation, there were actually a number of trips to a number of stores, hardware, hobby and arts and crafts, over an extended period of time.
Regrettably, in the present rattle-can marketplace, in anything other than a gloss finish, it seems the quality of the paint is inversely proportional to the combined number of words in the name of the paint and the name of the color. One exception appears to be the Krylon ColorMaxx Paint+Primer in the Matte Summer Wheat color, available at Lowes. It is a reformulated flat yellow paint that covers well and actually seems to want to come out of the can, but it dries many shades lighter than the goldish color on the cap. Nevertheless, partly due to the relentless, age related ticking of my biological clock, but mostly due to a lack of choice, it was selected as the basic wall color for the layout structures.
Regular grey or brown primer, either Krylon or Rust-oleum, is used to apply an undercoat. After the basic wall color has been applied, any external door, window or wall trim that needs painting will be done by hand in a suitable shade of brown, but with my ten thumbed paws, the end results may look like a form of camouflage. In deference to dealing with my inabilities, I plan to leave each roof loose, so it can be removed from the structure and the side walls resprayed if things go bad.
The photos show the repurposed stable in its present colors (it still needs a rain gutter on the rear edge of the roof, but I am working on it). The door, window and wall trim came pre-colored in the kit, saving me a lot of angst. The unerring, sixteen megapixel eye of the new camera does show up a lot of flaws, but trying to touch them up would only make things worse. As I am, currently, a recovering perfectionist; when the trains are running and the layout is being viewed from the normal operating position, the exposed flaws do not matter.



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